07\/08\/2024 – 21\/09\/2024<\/p>\n\n\n\n
the first thing that catches the eye in thomas reinhold\u2019s work is the abstract ballet of lines and spots created by pouring, which dominates the pictorial space in color gradations between pastel and strong hues, between hot and cold. but what might appear to be a continuation of jackson pollock\u2019s drip paintings or hermann nitsch\u2019s poured paintings is the result of an almost mathematical experimental arrangement: the directions in which the colors are poured are predetermined and adapted to the changing conditions during the process, whereby the multiple repetition of the process results in overlapping and palimpsest-like structures.
(thomas miessgang)<\/p>\n\n\n\n
michael tolloy\u2019s sculptures are hybrid creatures of a very special kind. on one hand they are committed to art historical tradition, on the other hand they formulate a tentative, yet purposeful, consistent approach to a contemporary image of man, in terms of content, form and technology in the use of traditional sculptural material. (christiane dressler)<\/p>\n\n\n